Breathe In, Breathe Out

'Asana is that perfect moment when the body is utterly still, effortless; sensation and breathing suspend themselves so that time comes to a halt.

Then: happiness in a moment of infinity.'

Patanjali, Yoga Sutras II, 47


Patanjali's Yoga Sutra (Penguin Classics)

Pregnancy Yoga

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CLIFTON HAMPDEN

Tune in with your own body, enjoy a special time with your baby.
Beginners/confirmed practitioners: all welcome!
Group/one to one sessions available on request.

  • Breathing awareness and techniques can help you during labour and delivery.
  • Regular practice helps with concentration and relaxation.
  • Simple stretching exercises relieves backache and make you stronger physically and emotionally.

Please contact Laurence on 01865 407 661 or 075 546 35 112
yogin67@gmail.com.
Come enjoy our friendly sessions.

Tariffs

CLIFTON HAMPDEN
Drop in: £9 each session (90 mins)
Four classes card: £32 (to be used within five weeks)
Four Pregnancy classes: £40

Ten classes card: £80 (to be used within eleven weeks. If used within 10 weeks, eleventh class is FREE)

Group and One to One sessions also available. £25/ one to one. £36 / one to two. Milage not included.

Nagy Yoga Logo

Richard Adamo: focus on Navasana

Back from Oxford. “Happy breathing!” Spent four hours practicing with Richard Adamo. Richard is a British Wheel of Yoga teacher trainer. He introduced his Astanga class by justifying the “speed” test he was going to submit us to.  We then did one hour fast practice with Astanga primary series. No relaxation, half an hour pause and back to it.

hath_yogaWe focused on Navasana (the boat). With a round back which was a very helpful alternative to bring the legs higher and work on the abdominals. Usually, when you start Yoga you stretch you back and take your chest out to lift yourself up. Here you try to absorb your navel back stretching your arms forward and lifting your legs with the strength of the abdomen.

We practiced balancing forward on the wrists, keeping the legs straight a few cm behind the hands, to prepare to lift the legs into handstand nagy_yoga
or to jump back into chaturanga.images

Richard also had a chat (slightly too long though very relevant) about the joy we should feel practicing, forgetting about the worries one usually has about not “performing” in one or the other posture.

Once again, Yoga is not a performance, it’s a life experience. It is enjoyable.

Kids and Backbends with Liz Lark

I knew Liz Lark from a book. One of my students once brought me Yoga for Kids in Dutch and I later bought it in English to read it. The book describes Yoga postures you can try with children.

It’s well illustrated and I used it a few times with my own children. It never really worked, not because of the book, but because some kids choose a different path from their parents to build their identity.

On Sunday (October 11th), I tried one of Liz Lark’s adult workshops in Oxford. I made the mistake of choosing backbends one morning session on backbends, instead of the two-days workshop. It’s always a bad idea to buy a quarter or half a workshop.

I missed shavasana_image_550_w the Yoganidra session in the afternoon, and felt much too energised for the rest of the day.

“Educate your muscles”

Back from London.

Gabriella Giudilaro ran a four hour workshop on Oct 5th at Iyengar Institute Maida Vale. She closely followed Iyengar’s teaching: we must ”educate”our muscles, she said. Gabriella reviewed several backbend poses after warming up

esAdo mukha virasana (the swan – to “release the brain and the abdomen”)

dog_pose

Ado mukha svanasana

(downward facing dog – work on opening upper arm opening).

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Gomukhasana

Keep your elbow leveled with the shoulder (the right elbow on the photo should be facing ahead and the right hand should stay behind the right shoulder blade). Working that way, you’ll FEEL the difference.

2AEstelle2

Ado mukha vrkshasana.

Handstand. Preparation: two hands on the floor not far from the wall. Legs straight. Stabilize the pose before your lift one leg and go into the posture.

woman-yoga-position_~AA046310Pinca Mayurasana -

Elbow balance. Preparation near the wall: practice first with your hands (palms facing the ceiling) holding a block slightly off the floor. Push on your forearms . Legs straight. Walk toward your elbow. Lift a leg and then the other one. Push your ribs down and back, make sure your shoulders are away from your ears. Push into your flexed heels, push your buttocks up. And breathe.

P1010259

Salamba Sirsasana.

Head stand. Preparation. Fold your mat in four. Cross your fingers, making sure your wrists are relaxed not  pressing towards each other. Bring the crown of your head on the mat , tucking your chin slightly in, within the nest of your hands. Stretch your legs and then either bend your knees or lift one leg after the other to come into the pose. Lift your shoulders. If your upper back is stiff, use a pile of three blocks to help pushing your shoulder blades in towards your chest. If your arms are long you can use a folded blanket under your head. Roll your thighs in and flex your feet . Push your buttocks up.

3BSuzyHanging1 Salamba sirsasana in the ropes

dogupUrdhva Mukha Svanasana

Upward facing dog. Try to work it by tucking your tailbone without squeezing your buttocks towards each other.  Use your hamstrings and back muscles to lift yourself up. Pull your hips and your abdomen upand forward.

indiaY17Ustrasana (-The camel). Knees hip width apart. Tailbone down, thighs in. Hands on your hips. Lift your chest, bend you head slightly back, but keep your neck long, don’t let you head fall back. Then slowly arch your back and reach your heels with your hands.

410Urdhva Danurasana

Upward bow. Preparation. Lie on your back, head not far from wall. You can put your hands and your head against the wall (or even put a folded blanket under your hands). Then bend your knees. Feet on the floor wide apart, thighs in. Hands at shoulders level. Lift your pelvis off the floor and push on your hands. First come onto your head. Keep your elbows slightly apart. Walk three times with your hands towards your feet, keeping your pelvis lifted and without squeezing your buttocks. Then push on your arms  and bring your elbows towards each other. You don’t need to have your legs straight. Try to bring your chest towards the wall

dvi-pada-viparita-dandasana_01Dvi pada Viparita Dandasana without a chair

The weight is on the forearms the head and the feet.. Make sure your your ribs are pushed down towards your hips and you lift your pelvis up without squeezing your buttocks towards each other. Work  with your back muscles and tuck your tailbone right under.

Dvi pada dwipadaviparitakarani_mh_loviparita dandasana with a chair.

After backbends Gabriella came back intoes Ado mukha virasana to release the lower back.

Last but not least

lrg-483-p1010211

Marycyasana 1

Twist. Make sure to keep both shoulders open

Gabriella gave five minutes relaxation  savasana

Savasana (the corpse pose)

which (I thought) was MUCH too short….

Japan Butoh Dance

Imre ThormannWatch demonstration

Swiss Butoh dancer Imre Thormann

Yumiko Yoshioka introduced me to Butoh and Noguchi gymnasticsI was introduced by Yumiko Yoshioka to noguchi gymnastics, the physical training leading to Butoh dance. I still find it inspirational for my Yoga practice

Butoh acts as a radical challenge and catalyst for a deep and personal enquiry into the moving body. Butoh is not about doing movement but about being moved. Concentration is turned inward, away from the external mirror image of the body, to encourage a deep connection to the origin and impulses for movement. Participants are introduced to the value and power of working from imagination and from guided poetic imagery and butoh -fu as tools for transformation. The body can discover many selves and extend into animal, plant or non-human entities. Each session begins with a short body training session incorporating yoga, voice and Butoh techniques that concentrates on wave, spiral and circular movement patterns allied to breath and voice.

Marie-Gabrielle Rotie, Butoh UK